documents/publications
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edited books/publications |
Sound | In Empty Rooms |
2021 |
articles |
"The Exercise of Listening also Means Listening to What You Read." |
2021 |
"You Are Resonating With Ideas More Than With Frequencies." |
2021 |
The Limits of Listening |
2021 |
“You Don't Only Listen With Your Ears, You Also Listen With Your Muscles And Your Bones.” |
2021 |
"Postfach & Anonym zwecklos" |
2017 |
Introduction. Dated Formats Now: Material Practices in Audiovisual Art |
2017 |
Questions & Answers: New Materialism, Old Media |
2017 |
Repräsentation als agentieller Schnitt? |
2017 |
Approaching analog amateur porn empirically: Video practices in Austrian swin... |
2016 |
Exploitation feminism |
2016 |
Pornografische Amateurfotografien im ÖKM, 1981-1989 |
2015 |
Pornographic domesticity |
2014 |
Schau/Hörlust und Exploitationkino: Textur, Oberfläche, Exzess |
2014 |
Vom Begehren nach Materialität |
2014 |
chapters |
Sonic Assemblies |
2022 |
Zusammenziehen im Untergang |
2022 |
"So könnte es also sein. Nice." |
2019 |
Feministische Filmwissenschaft |
2019 |
Dirty Sound: The Camp Materialism of "Blood Orgy of the Leather Girls" |
2018 |
Amateurpornografien auf VHS. Empirische Annäherungen |
2016 |
Escape from representation? Excess, meaning and materiality in exploitation cine |
2015 |
reviews |
Infektiöse Betrachtungen |
2020 |
general documents/publications |
Historicity in Motion. (Scientific Publication). (Author), Wien (Österreich). |
2017 |
"Vinyl Terror and Horror" as Haptic Paracinema of Sound. (Conference Paper). (Lecturer). |
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Care as Caution and Concern. (Conference Paper). (Lecturer). |
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Countryside vs. Small Town in Herschell Gordon Lewis' Country and Garage R'n'R. (Conference Paper). (Lecturer). |
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Empfindung und Ermächtigung: queer_feministisches Zusammenarbeiten am GRC. (Conference Paper). (Lecturer). |
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Filmische Repräsentation als agentieller Schnitt. (Conference Paper). (Lecturer). |
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Score, Canon, Revaluation: Giallo Soundtracks and Contemporary Record Collectors. (Conference Paper). (Lecturer). |
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Sounding Beyond Binaries? Excess, Meaning and Materiality in Exploitation Cinema. (Conference Paper). (Lecturer). |
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Tactics of Rhythm and the Unfolding of History. (Conference Paper). (Lecturer). |
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Veränderungen von (Medien-)Öffentlichkeiten durch (digitale) AV-Medien. (Conference Paper). (Lecturer). |
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research and projects
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A Matter of Historicity. Material Practices in Audiovisual Art |
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awards and grants
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Award of Excellence - Staatspreis für die besten Dissertationen 2015 |
2015 |
Best Publication Award Gender & Medien |
2015 |
exhibitions
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Popfest Wien 2017 |
2017 |
teaching projects & external teaching
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teaching projects & external teaching |
Perspektiven künstlerischer und wissenschaftlicher Forschung: Kristina Pia Hofer |
2023–2024 |
"don't need you" |
2021 |
Body Humor, Body Horror |
2019 |
Gastvorlesung "Materialität und Theorien filmischer Repräsentation" |
2016 |
Leitung des Workshops "Feministische Forschung" |
2015 |
conferences & symposia
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Konzepte zu Sound (Art) Research. (Panel Discussion). (), Universität für angewandte Kunst in Wien, Wien, Österreich. |
2023 |
1493 und 1943: Nullpunkte der Gewalt im Lavanttal. (Discussion). (Lecturer), Container 25, Wolfsberg, KA, Austria. |
2022 |
The situated dancefloor: Artistic positions. (Discussion). (Lecturer), Zacherlfabrik, Vienna, Austria. |
2022 |
Listening as / to / counter in_visibility. (Panel Discussion). (Lecturer, Organiser/Management), University of Vienna, Vienna, Austria. |
2021 |
Workshop 3, FWF-Einzelprojekt P 27877-G26. (Guest Lecture). (Organisation), Hildesheim (Deutschland). |
2017 |
Workshop 3, FWF-Einzelprojekt P 27877-G26. (Guest Lecture). (Organisation), New York, NY (USA). |
2017 |
Workshop 3, FWF-Einzelprojekt P 27877-G26. (Guest Lecture). (Organisation), Utrecht (Niederlande). |
2017 |
Workshop 4, FWF-Einzelprojekt P 27877-G26. (Guest Lecture). (Organisation), New York, NY (USA). |
2017 |
Un/Gleichheiten Revisited: Jahrestagung der ÖGGF 2016. (Conference). (Attendance), Linz (Österreich). |
2016 |
Workshop 1, FWF-Einzelprojekt P 27877-G26. (Guest Lecture). (Organisation), Berlin (Deutschland). |
2016 |
Workshop 1, FWF-Einzelprojekt P 27877-G26. (Guest Lecture). (Organisation), Canterbury (GB u. Nordirland). |
2016 |
Workshop 1, FWF-Einzelprojekt P 27877-G26. (Guest Lecture). (Organisation), Vancouver (Kanada). |
2016 |
Workshop 2, FWF-Einzelprojekt P 27877-G26. (Guest Lecture). (Organisation), Berlin (Deutschland). |
2016 |
Workshop 2, FWF-Einzelprojekt P 27877-G26. (Guest Lecture). (Organisation), Berlin (Deutschland). |
2016 |
Workshop 2, FWF-Einzelprojekt P 27877-G26. (Guest Lecture). (Organisation), London (GB u. Nordirland). |
2016 |
Workshop 2, FWF-Einzelprojekt P 27877-G26. (Guest Lecture). (Organisation), Cambridge, MA (USA). |
2016 |
Workshop 2, FWF-Einzelprojekt P 27877-G26. (Guest Lecture). (Organisation), Berlin (Deutschland). |
2016 |
Zum Spannungsverhältnis von Journalismus und Wissenschaft. (Panel Discussion). (Lecturer), Wien (Österreich). |
2016 |
Jahrestagung der Gesellschaft für Medienwissenschaft 2015. (Conference). (Attendance), Bayreuth (Deutschland). |
2015 |
conference contributions
|
Sound as Material in Audiovisual Relations? |
2023 |
Ana Threat plus 2 x Acetone FR-3 |
2018 |
Gestures of Urgency: Woolworths Choir of 1979 |
2018 |
"40 Jahre No Future": Punk, Repertoire und Retromanie |
2016 |
Audio/Visual Dirt. Vom Begehren nach Materialität. |
2014 |
Ausnüchtern am Aufmerksamkeitsmarkt? DIY-Ideale und Selbstoptimierungszwang |
2014 |
audio
|
Voiler: Anhedonia |
2022 |
Music for Dancing's Demons (Elizabeth Ward 2020) |
2020 |
Voiler: 000 |
2020 |
The Boiler: BODY=DEATH |
2018 |
concerts
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Ana Threat: Live Soundscapes für Show Angewandte 2018 |
2018 |
functions & practice
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journalistic activities |
40 Jahre No Future |
2016 |
Gitarrengröße, Not-So-Confidential |
2016 |
All Hail The Pro! |
2015 |
Crabs, crabs, crabs. Blood, blood, blood. Gore, gore, gore. A punk fairytale. |
2015 |
fam_tastique! |
2015 |
Do or die? Musikmachen, DIY-Strategien und feministische Selbstorganisation... |
2014 |
general functions & practice |
Peer reviewer |
2017 |
Peer Reviewer |
2014 |
performances
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Elizabeth Ward: Dancing's Demons |
2020 |
Veza Fernandez: Amadora Llama |
2019 |
science to public
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public appearances |
Feministische Perspektiven wissenschaftlicher Karrierewege |
2018 |