Technical
reproduction and representation – through micro- and macroscopic visualization, sonification, animation, or online feeds —
have been central to how we interact with the world and how affective dimensions of reality are shaped: from early land surveys
to the rise of modern colonial scientific tools, to data visualization, planetary networks, surveillance systems, military
infrastructures and machine learning. Data Doom Desire focuses on biased scientific inquiry, the affective dimensions of online
content, the limits of human cognition and the infrastructures of conflict, disaster fiction, and doomed outputs.
With works by Asia Bazdyrieva and Solveig Qu Suess, Sara Bezovšek, Anna Engelhardt and Mark Cinkevich, Santa Pile,
Martin Gasser, Silvan David Peter, Christina Humer and Oleg Lesota, Sasha Litvintseva and Beny Wagner, Martyna Marciniak;
Jenna SutelaThe Weibel Institute for Digital Cultures is a space for intervention, investigation,
and experimentation within the expansive disciplines of arts, science, and technologies. Based at the University of Applied
Arts Vienna, the institute critically engages digital and algorithmic cultures. Building on the rich heritage of Viennese
investigations into cybernetics, net cultures, media art, and tactical media, the institute serves as a vital node within
a global network of research institutions on digital cultures. (More info)
Angewandte Interdisciplinary Lab (AIL)
is an experimental space and a platform for projects at the intersection of art, science and artistic research, run by the
University of Applied Arts Vienna. AIL is located in the Otto Wagner-Postsparkasse and home of Café Exchange (Free entry)
Opening: 20 Nov, 18:00 with Live performance, Ghost in the Cog by Kenneth Constance Loe and Moritz
Nahold (Subletvis) Live performance, EXTC by Joanna Coleman and Martina Moro
https://ail.angewandte.at/program/media-exhibition
