Coded Cultures 
  New Creative Practices out of Diversity 
 Georg Russegger is Scientific Manager of the Research and Development-project »Ludic Interfaces« at the
                                          Interface Culture Lab of the University of Art and Design Linz. Together with the association »5uper.net« he is artistic director
                                          of the CODED CULTURES Festival. Georg Russegger is researching the fields of media-integrated knowledgecultures and looks
                                          into the development of new artistic-creative abilityprofiles through media- and communication technologies. His doctoral
                                          theses in the field of communication theory was supervised by Manfred Faßler at the University of applied Arts Vienna and
                                          received the Award of Excellence from the Austrian Federal Ministry of Science and Research. Georg Russegger was Post Doc.
                                          at the Tokyo National University of the Arts and is co-founder of the research network »FAMe« (Frankfurt Anthropologie des
                                          Medialen) at the Goethe University Frankfurt a.M. Matthias Tarasiewicz is one of the founders of »5uper.net« and CEO of the
                                          media prototyping company »mutti.jp«. Besides coordinating »Coded Cultures - Exploring Creative Emergences« he was curating
                                          and producing various Exhibitions and Art-related Events with »5uper.net« (e.g. Coded Cultures - 2004, Cuisine Digitale -
                                          2006, Playfulness - 2008). While being active as a curator and artist since 1998, Matthias is developing experimental media
                                          prototypes and researching in the fields of game theory, network theory and experimental media architectures. He studied visual
                                          Arts at the University of Applied Arts, Vienna. Michal Wlodkowski is one of the founders of »5uper.net«, coordinator of the
                                          festival »Coded Cultures - Exploring Creative Emergences« and CEO of the media prototyping company »mutti.jp«. Since the founding
                                          of 5uper.net he curated and produced various Exhibitions, Art-related Events and Projects on the intersections of Design,
                                          Media, Art and Technology, among »Coded Cultures - Decoding Digital Culture« in 2004. Besides his engagement as an curator
                                          and artist, Michal Wlodkowski develops Projects and researches in the fields of cybernetics and communication theory. He studied
                                          Communication Science at the University of Vienna, digital Arts at the University of Applied Arts, Vienna and Ravensbourne
                                          College, London.
    
                                          
                                             
                                          ISBN:  978-3-99043-390-4 
 
                                          Hrsg.:  Russegger, Georg / Tarasiewicz, Matthias / Wlodkowski,
                                          Michal 
  Verlag:  De
                                          Gruyter 
  Seitenanzahl:  384
                                          
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 Sprache:  Deutsch
                                          
  Preis:  EUR 54.95
                                          
  Through the establishment of new creative cultures, enabled
                                          by digital media and global communication networks, new practices and ability profiles of artistic delineations and explorations
                                          are gaining new grounds. Furthermore, economic models are eager to create synergies with symbolic values of cultural and artistic
                                          programs to deal with the potentials of »creativity«. At the present day it is difficult to predict which catalysts and draft
                                          programs can be put into effect for these creative innovation processes. In this book a detailed review from international
                                          artists, theorists, researchers and curators will be given on new vectors of creative and artistic coded and cultures departed
                                          from digital media related art projects and observation models on the intersection of disciplines like Art, Science, Technology
                                          and Design.